It’s a box of bricks you put your hands in. We put bricks into the box. We can do anything we want. “I’m not allowed to have a line; my lines just kind of stay out. The way that I draw, they keep coming. You don’t want it to get in the way. You can’t draw a line that doesn’t come out at the end. Not a single line, not a single brick.”
It seems like an odd style for a kid to be making movies. Maybe because it was like getting out on the street on an assignment, working on something that they are supposed to bring back as a final product for distribution. Not something that they are doing for fun. Not something that is just trying to earn a living. For the first part of each week he would be working full-time, seven days a week, and that can often include a lot of downtime.
“I didn’t sleep that much, but I could have. It was a good way to get to sleep, because every night, I’m like, ‘I hope this line’s finished…’. I’d have a lot of sleep, and my job would start at 6:00 in the morning,” he says. “It was just a good system, and it worked out; it was kind of the thing that my parents encouraged me to do.”
His father came by to watch every week, he says, because it was his dream to get his own show. They’d both be working, then he was expected to come in and do some final work—like a title page or a layout—when he got home at 8:30 in the morning.
“That’s a hard thing to do when you have kids. It’s easy for them to get frustrated, because you are making all of this stuff and then you still have to come home and do a page? Or you have to wait until they finish a sentence? And you start having these little breakdowns. I felt like, you know, if we could just keep going in that direction, this is where the show’s gonna go.”
The next time he was at a movie set, he was told that they were now using CGI, which made him realize that he’d never had a chance to get into the world of that kind of filmmaking. “I didn’t have a big deal with CGI,” he says. “It was just the last thing I could think of to do. It was just a way
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