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How much do indie filmmakers make? – Film Directing Techniques

And is it worth it? How to avoid being a scammed filmmaker.

How much are indie films worth?


The number one question people ask when it comes to indie films is how much are they worth. And as someone who loves indie film, I’ve been able to break the numbers down to a scale. I’ve created a list of the most accurate measurements that I feel can help filmmakers make a financial decision for the next four to six weeks and a year.
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The information was pulled from dozens of different sources, including media reports from all over the globe, the website indiefilmmakers.com, and my own personal research. I’ve attempted to be as accurate as possible, with the exception of the fact that I’ve been very strict in selecting only films with a budget below $5,000. These are not the “the next big grossing box office hit,” films which can easily afford millions of dollars and even more marketing budgets. Instead, these films are films that could easily break even in the next four to six weeks and may even end up generating enough profit to pay for themselves in the next year. The difference between making a profit with indie film versus making a loss is huge!

What is a realistic and reasonable estimate of a distributor’s budget?

Let’s compare it to what we’ve always understood: Distributors are trying to make money, so their goals are to make as much money as they can while still giving the filmmakers access to the necessary infrastructure needed to make their film financially feasible. For instance, they want to put people into theaters and to sell ads, not spend five grand on a van or helicopter. There’s a very real cost involved with a film as well, of course.

Is it right to consider a distributor’s budget as a rough estimate over the entire filmmaking process? Absolutely not! When you’re trying to make money, you have to keep in mind your time, money, and your own ambitions, as well as possible costs. Some people are more focused on budgets than others, and it’s important to know what your own priorities are.

We’ve learned how vital it is to know what you want to make and how much. In this case, I would recommend starting with the most realistic and realistic range that you can. Your goal is to make the best film you can, and if possible, make it as financially feasible as possible. This means putting in the effort to find independent filmmakers with a wide range of projects. When you

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