Here’s a good question. For the most part, this is about personality traits. While many people have the capacity to learn any instrument, certain characteristics distinguish one style of music from another. That personality trait could, in turn, determine which type of student you would prefer for the instrument you want to teach. For piano, that’s about the “feeling” of the instrument. On the other hand, your musical training, as a teacher, can vary dramatically over the years, from a novice to someone who has acquired expertise. For instance, I started learning violin at age 16 because I loved it, but this didn’t make it clear to me that to study this instrument I’d need a lifetime of dedication, training, and preparation. I quickly abandoned this approach and chose to approach the instrument from its foundation in an approach that I find to be more effective and less time-consuming.
It is important to note that musical training is not the only consideration when creating piano lessons. You also need to know what type of student you want your students to be and the tools or curriculum you want to create for them. If you’re looking at making more “traditional” lessons, you might decide to focus on teaching a certain style of music, even though the music might lack the feel of that style. If you want to make more “active” lessons, for example, you might want to focus on a larger repertoire, a larger range of skills, a wider range of instruments, or a more active repertoire. And so on. It’s important to be specific within these parameters.
What are the potential pitfalls?
Many factors can go wrong. But I want to highlight four key trends in the way teachers practice and offer lessons that have led to students losing their way and failing to learn from lessons. They’re not just bad practices, they are, in my view, part of the problem with teaching. These problems are the same ones that I’ve been writing about in my blog, The New York Times Bestseller List. They are:
“Abandoning an idea” – When you don’t understand the method you’re following, you end up teaching the wrong way. In my experience I’ve noticed that a lot of teachers simply do not know how to teach with a particular music theory approach. This results in many of their students failing to feel the music, the right way, for a specific technique or piece with their fingers. These students have been so taught to “be comfortable” and “be patient
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