It’s a really big circle. It has to be very big. You’re looking at a lot of shapes that can be made up of just circles. You need those. You don’t need them on it, but you need them on it just to get a sense of what you’re doing. And of course it was something where we could create a sense of proportion. Something like this, it’s not really about the size of this thing. It’s about a very good idea that comes to the drawing. It’s got this very very high geometry. So something like this is very close to an eye pencil.
Do you have an eye pencil?
I do have an eye pencil, yes.
Do you ever use colored pencils?
Nope, I use a color pencil most of the time.
What is your favorite color?
Green. I like it a lot.
Are you the type of person who likes to draw? Do you like color?
No. I like drawing, I just don’t like color. I like to paint. I like to draw with my brush. I always like to draw when I’m making a lot of sketches and I always like to make a lot of sketches right at the start. And I always like to do my paintings when I’m not painting—even when I’m painting a lot. Or I like to draw when I’m making a lot of sketches at the same time while I’m painting. And so it’s almost a double exercise: painting and drawing.
What is the most interesting and exciting part of working on these comics?
I think, as I said, this is a very interesting story to tell, and I’m thrilled to be able to use the characters from Star Wars. It just makes it so exciting to tell stories like this. I just want to make these characters as complex as possible. I just want to keep doing these comics until I get them all in my head.
One of the books you’ve been working on since your graduation—the graphic novels Dark Empire and Empire of the Dark Side—has been called “a Star Wars comic.”
Yeah, that’s the word we’ve been using there. It’s actually the only comic I’ve ever really written—in fact, so far, so good.
You know what I think it’s been about, though? I’ve been writing these scripts for a long time. These scripts for these comics have
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